Robin Fuller

My creative practice is highly interdisciplinary, beginning with a foundation in animation and expanding into music videos, dance, theatre, games, live visuals and interactive installations. At the centre of my work is a focus on storytelling and creating meaningful connections between artwork and audience.

My practice-based research explores evolving posthuman dialogues through animation, interactive media and emerging technologies. I am particularly interested in how physical and digital bodies interact, and how these interactions give rise to new modes of experience and identity.

My projects often interrogate the relationships between humans and technology, using platforms such as VR, AR and immersive environments to create participatory experiences. I am driven by a curiosity to learn, experiment and bring together techniques and sensibilities from diverse creative practices.

My work has been shared at a range of festivals and events, across both creative and commercial settings. I’m always curious to learn, try new approaches and collaborate with others in shaping engaging, thoughtful experiences through creative media.

Performance and Exhibition

• Playtime
  Norwich, UK, June 2025
  Collaborative multimedia dance and projection mapping performance. Supported by Arts Council England
• Digital Body Culture
  Norwich, UK, March 2025
  Co-created student/lecturer R&D project using volumetric scanning, motion capture and immersive video. Norwich University of the Arts
• The First Lesson
  Norwich, UK, 2024
  Multimedia and interdisciplinary investigation of the book “Crow” by Ted Hughes. Supported by residency at Copperdot Studio
• How the Seasons Came to Be
  Norwich, UK, 2023
  Devised dance performance. Supported by and performed at The Autumn Festival of Norfolk
• Too Sensitive for a Boy
  Norwich, UK 2017
  Devised physical theatre performance. Supported by Norfolk Arts Awards
• Princess Mononoke
  London, UK & Tokyo, Japan 2013
  Collaborative theatrical adaptation featuring puppetry and projection design. Supported by Walt Disney Studios, Studio Ghibli and British Council
• Mammon
  Park City, USA 2008
  Short film featuring puppetry, animation and digital compositing, screening at various international film festivals. Commissioned by Slamdance Film Festival
• The Ballad of Mary Slade
  Park City, USA plus other locations across USA, Europe and Asia 2007
  Short film featuring stop motion animation and digital compositing, screening at various international film festivals
  • Grand Jury Award – Best Animated Short, Slamdance Film Festival, 2007.
  • Special Jury Prize – Short Film, Bend Film Festival, 2007.
  • Diploma for Creative Vision, Bimini International Festival of Animation Films, 2007.
  • Special Commendation, aniMOTION European Animation Festival, 2007.

Selected Commercial Works

• Circular Innovation Hub
  Berry Global, Barcelona, Spain 2024
  Suite of interactive experiences for Berry Global, including a mixed reality experience for Meta Quest headsets, interactive projection mapping and a custom multilingual AI database
• Porsche Immersive
  Porsche, Kuwait City, Kuwait 2024
  Luxury mixed reality showroom experience for Porsche using Meta Quest headsets
• Testimony 360
  Holocaust Educational Trust, London, UK 2023
  Educational VR experience using Pico headsets to deliver a virtual field trip. Designed for entire classrooms, UK wide.
  Winner – The Charity Awards, Education & Training 2025
• Seeing Bangladesh
  Dhaka, Bangladesh 2023
  Bangabandhu Military Museum
• The Circular Economy
  Berry Global, various locations, UK 2020
  Interactive VR experience featuring animation and 360 video
• The Mazda Experience.
  Seven locations across Germany 2019
  4D VR driving experience
  Winner – The Drum Experience Awards 2019
• The Bystander Effect
  British Red Cross, London, UK 2018
  VR film used to create empathy in clinical trials and via mobile app

Publications & Talks

• Animation Can Be Everything
  Norfolk Contemporary Art Society, Norwich, UK, November 2024
  Public talk on animation with Jon Dunleavy
• Multi Level Storytelling
  Family Attraction Expo, Birmingham, UK, November 2023
  Public talk on creating AR experiences
• The (Possible) Future of 360 Video
  3D World, Future plc, UK, 2020
  Magazine Article
• Shaping Meaning
  3D World, Future plc, UK, 2019
  Magazine Article
• How to Make a Music Video
  Sound and Vision Festival, Norwich, UK 2013
  Panel discussion
• The Monster that Ate Terrorists in Re-narration, Basics Animation: Scriptwriting, Paul Wells
  AVA Publishing, UK, 2007
  Sample of script and storyboard in animation textbook

See Robin’s work