Norwich University of the Arts Unveils ‘Mechanism’
Norwich University of the Arts is excited to present Mechanism, a site-specific kinetic installation by acclaimed artist Andrew Kearney.
Located at the heart of the University’s city-centre campus in the historic, Grade II-listed Bank Plain—a landmark building originally constructed in 1926 for Barclays Bank—Mechanism explores themes of industrial heritage, contemporary space, and the seamless fusion of art and architecture. The installation bridges the building’s storied past with its renewed purpose within the University, offering a thought-provoking reflection on its evolving role in the modern landscape.
Suspended above the Project Studio in the University’s Banking Hall, Mechanism is a 7.6-meter responsive artwork featuring an intricate aluminium framework, LED light clusters, and dichroic discs that transform the sounds of Norwich into a stunning daily light sequence. Data collected from city sounds via directional microphones is converted into rhythm and light, creating a dynamic dialogue between the energy of the city and the serene interior of the space.
Photography by Andi Sapey and Denisa Ilie
Andrew Kearney’s four decades of art practice are characterised by his exploration of everyday phenomena, queer culture, and a world of communities under surveillance. His installations emphasize the mediating role of the work within the space it inhabits. The works serve as disturbances, presenting themselves as incidents as much as physical objects, and in doing so, they reveal numerous underlying and unfolding narratives.
Kearney’s artistic process incorporates various mediums, including sound, lighting, sculpture, photography and ceramics creating multiple modular components within the installation, along with a range of technologies. This diversity allows for unpredictable rhythms and brings an ephemeral quality to the human aspects of the artwork. He often utilises external microphones, GoPro cameras, or video cameras to collect live data, merging this data with the manipulation of light, colour and sound to create a new synthesis within the installation space, blurring the boundaries between the familiar and the unfamiliar.
Candice Allison, Development Curator for Bank Plain, commented ‘One of the key challenges for the future of the banking hall as a library and public gallery is how do you take a space designed to be closed, secure, opaque – and reimagine it as somewhere open, accessible, and welcoming to our student community and the public. We didn’t ask Andrew to key into this question, as the brief to him was completely open ended, but that is what made the process of working with him so exciting, that he was able to capture this dilemma and channel it into his work in a very thoughtful and interesting way. Once you enter this building you become completely closed off to the outside world, but Andrew has created a window for us to the rhythms and pulses of the city outside.’
Mechanism is produced with support from electronic engineer Erik Kearney.
Photography by Andi Sapey and Denisa Ilie
Andrew Kearney’s four decades of art practice are characterised by his exploration of everyday phenomena, queer culture, and a world of communities under surveillance. His installations emphasize the mediating role of the work within the space it inhabits. The works serve as disturbances, presenting themselves as incidents as much as physical objects, and in doing so, they reveal numerous underlying and unfolding narratives.
Kearney’s artistic process incorporates various mediums, including sound, lighting, sculpture, photography and ceramics creating multiple modular components within the installation, along with a range of technologies. This diversity allows for unpredictable rhythms and brings an ephemeral quality to the human aspects of the artwork. He often utilises external microphones, GoPro cameras, or video cameras to collect live data, merging this data with the manipulation of light, colour and sound to create a new synthesis within the installation space, blurring the boundaries between the familiar and the unfamiliar.
Candice Allison, Development Curator for Bank Plain, commented ‘One of the key challenges for the future of the banking hall as a library and public gallery is how do you take a space designed to be closed, secure, opaque – and reimagine it as somewhere open, accessible, and welcoming to our student community and the public. We didn’t ask Andrew to key into this question, as the brief to him was completely open ended, but that is what made the process of working with him so exciting, that he was able to capture this dilemma and channel it into his work in a very thoughtful and interesting way. Once you enter this building you become completely closed off to the outside world, but Andrew has created a window for us to the rhythms and pulses of the city outside.’
Mechanism is produced with support from electronic engineer Erik Kearney.
Related News
-
Norwich University of the Arts Ranked UK’s Top Specialist Creative Arts University in National Student Awards
Norwich University of the Arts is the UK’s highest-ranked specialist creative arts university in the Whatuni Student Choice Awards (WUSCAs) 2026, placing 14th overall among universities across the UK. -
BA Textile Design •In conversation with: Marianne Shillingford, Creative Director of Dulux UK and Ireland
We caught up with Marianne, Dulux’s Creative Director, to discuss her work with Norwich's Textile Design students and her advice for breaking into the industry. -
Institution •Norwich hosts visit from the Ambassador of Japan to the United Kingdom
Norwich University of the Arts welcomed Ambassador Hiroshi Suzuki to tour the university’s creative technology facilities and explore ongoing research projects. -
MA Illustration •In conversation with: Rebecca Osborne, MA Illustration
Rebecca shares what life on our MA Illustration course is like and how she's building on her career as a live illustrator. -
East Gallery •‘A museum show with Francis Bacon? It is a dream come true!’ In conversation with: artist Olivia Sterling
Contemporary painter Olivia Sterling discusses her recent exhibition, Pity the Meat!, at Norwich University’s East Gallery – and shares her advice for students and future artists. -
BA Photography •In conversation with: Joe Coleman, BA (Hons) Photography graduate
Joe tells us about his current work and how the skills he learned at Norwich have helped shape his practice in computer generated imagery. -
Alumni •In conversation with: Carrie Clarke, MA Fine Art Graduate
MA Fine Art graduate Carrie Clarke reflects on her experience at Norwich University of the Arts, from exploring new materials to building confidence in her practice as a sculptor. -
BA Animation •Success for Norwich Graduates at Royal Television Society East Student Awards
Norwich students were nominated across seven categories, with Henry Schwind, a graduate from BA (Hons) Film and Moving Image Production, winning the Craft – Camerawork category. -
East Gallery •Culture in Norwich: East Gallery
Claire Allerton, East Gallery Curator, discusses everything our city-centre art space has to offer – and why a visit to Olivia Sterling’s Pity the Meat! exhibition is a must this spring. -
Alumni •Norwich ranked in QS World University Rankings for Art and Design
Norwich University of the Arts has been ranked in the 201–300 band globally for Art and Design in the latest QS World University Rankings by Subject, marking its first-ever inclusion in the internationally recognised ranking. -
MA Communication Design •In conversation with: Bevan Dolon, MA Communication Design
Bevan shares his design influences, creative practice and experience studying a postgraduate degree at Norwich University of the Arts. -
East Gallery •Sterling vs Bacon: Artists in dialogue in Olivia Sterling’s Pity the Meat! Exhibition
Pity the Meat! sees artist Olivia Sterling’s work in dialogue with the 1959 Francis Bacon painting, Two Figures in a Room. Eddy Frankel, art critic and former art and culture editor for Time Out, explores what brings them together – and sets them apart. -
BA Animation •Access and representation in a changing landscape: How women can shape the future of computer arts and technology
Access and representation remain central issues for the computer arts and technology industries. Helen Piercy, Animation Lecturer at Norwich, explores the opportunities emerging for graduates in a rapidly changing landscape. -
Institution •Director of Research Development collaborates with TED-Ed on new animation
Professor Alison Goodrum worked with the TED-Ed team to develop the short film which explores the history of hats. -
Institution •Norwich University of the Arts showcases institutional and research achievements to Research England
The University was delighted to welcome representatives from Research England, to share key institutional and research developments. -
Institution •Norwich appoints new Deputy Vice-Chancellor
Norwich University of the Arts is pleased to announce the appointment of Rebecca Wright as its new Deputy Vice-Chancellor.
1 / 1