New perspectives on VJ practice: The art of performing moving image
VJing is the art of mixing visuals live in response to sound. This practice-based research focuses on VJ practice, framing the VJ as a performing artist who ‘plays’ moving image though improvised performance.
Through reflective, contextual, and critical analysis of key histories, artists, and theorists this research will reveal a rich artistic practice at the forefront of contemporary digital arts and an important contributor to global visual culture.
Employing an “insider ethnographic” methodological framework places me as participant observer, granting unprecedented access to primary source material and enabling me to present notable original findings on this largely unexplored field. In rethinking the boundaries of the practice, this research makes significant original contributions to knowledge across the fields of VJing, moving image, and performance art.
Through acknowledging the diverse history, myriad influences and its value in contemporary digital arts practice, the legacy and potential of VJing can be established.
This PhD is a combined practice and theoretical exploration that aims to identify and document photographically the nature and consequences of this economic decline in the form of a visual narrative that will raise awareness of these problems and the potential for regeneration.
This research project seeks to interrogate and reframe the thinking of horror through a rigorous engagement with its formal limits.
Jonathan P. Watts (he/him) is a fully-funded PhD candidate at Norwich University of the Arts supervised by Professor Simon Willmoth and Professor Jo Melvin at Chelsea College of Arts, University of the Arts London.
A love of secondhand clothing lies at the core of this research project.
This PhD by curatorial practice focuses on a group of embroidered textile testimonies made at the turn of the twentieth century by an inmate of the Female Lunatic Ward of Great Yarmouth Workhouse.
Roger Ackling – Work and Teaching 1969 to 2014 This PhD by curatorial practice focuses on the work of British artist Roger Ackling (1947 – 2014). Ackling’s career is notable for his artistic practice and his long and influential teaching career. The research aims to understand his work in relation to Land Art, Minimalist and Conceptual Art movements and the impact of his practice on artists he worked with and taught.
The Work of Richard Seifert & Denys Lasdun: A Comparative Study of Their Buildings and Reputations.
Interrogating Artist-Teacher identity formation in Adult Community Learning
Spectral Shores: vanishing places and haunted spaces. Coastal Erosion and its effect on perceptions of time and the cultural construction of coastal landscapes
In Transition: People, landscape and nature in the East Anglian edgelands