This PhD is a combined practice and theoretical exploration that aims to identify and document photographically the nature and consequences of this economic decline in the form of a visual narrative that will raise awareness of these problems and the potential for regeneration.
Many British coastal towns, including in eastern England, have suffered economically since the late 1960s because of the decline of traditional sectors including tourism, fishing, and port-related activities. The result has often been stagnation compounded by geographic isolation, inadequate transport links, under-investment, and poor job prospects. They now contain some of the most deprived areas in the UK.
I initially trained and spent most of my career working as an economist and my photographic practice mostly addresses socio-economic issues and consequences in the form of visual narratives.
My PhD thesis will combine practice-based and written work. It will build on a rich but currently neglected legacy of British documentary photography, adding fresh insights from the integration of economic research techniques and visual documentation as an original contribution to documentary photographic practice. Unlike previous photographic work on sectoral decline and associated deprivation, as well as raising awareness of the problem, it will focus on initiatives for regeneration.
This research project seeks to interrogate and reframe the thinking of horror through a rigorous engagement with its formal limits.
Jonathan P. Watts (he/him) is a fully-funded PhD candidate at Norwich University of the Arts supervised by Professor Simon Willmoth and Professor Jo Melvin at Chelsea College of Arts, University of the Arts London.
A love of secondhand clothing lies at the core of this research project.
This PhD by curatorial practice focuses on a group of embroidered textile testimonies made at the turn of the twentieth century by an inmate of the Female Lunatic Ward of Great Yarmouth Workhouse.
Roger Ackling – Work and Teaching 1969 to 2014 This PhD by curatorial practice focuses on the work of British artist Roger Ackling (1947 – 2014). Ackling’s career is notable for his artistic practice and his long and influential teaching career. The research aims to understand his work in relation to Land Art, Minimalist and Conceptual Art movements and the impact of his practice on artists he worked with and taught.
New perspectives on VJ practice: The art of performing moving image
The Work of Richard Seifert & Denys Lasdun: A Comparative Study of Their Buildings and Reputations.
Interrogating Artist-Teacher identity formation in Adult Community Learning
Spectral Shores: vanishing places and haunted spaces. Coastal Erosion and its effect on perceptions of time and the cultural construction of coastal landscapes
In Transition: People, landscape and nature in the East Anglian edgelands